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JAZZ ARTIST

yvon bellemare.jpg

Yvon

Bellemare

PIANIST

(QUEBEC)


Yvon Bellemare is an iconic pianist on the Jazz scene, he is also a composer, arranger, orchestrator, artistic director and he taught music for almost 25 years.

Master in his discipline

Yvon Bellemare is a Quebec pianist renowned in the jazz world for his sensitive playing, harmonic refinement, and deep commitment to the art of improvisation. A discreet musician, he has built his career away from the spotlight, prioritizing musical exploration, artistic collaboration, and the transmission of knowledge.


Early Years and Musical Training

From a very young age, Yvon Bellemare developed a close connection with music. He undertook classical piano training, a discipline that allowed him to acquire a solid instrumental technique, rigorous work ethic, and a profound understanding of musical structure. This classical foundation would have a lasting influence on his approach to the piano, even after his shift towards jazz. Drawn to the expressive freedom and spontaneous dialogue offered by jazz, he gradually turned to this musical language. He then began to explore improvisation, jazz harmony, and the styles that have marked the history of the genre, all while developing a personal voice imbued with lyricism and nuance.

 

Artistic Career

Yvon Bellemare's career is primarily rooted in the Quebec jazz scene. He performs in a variety of settings: intimate concerts, jazz ensembles, collaborative projects, and cultural events. His playing is distinguished by its great sensitivity, attentive listening to other musicians, and profound respect for musical dialogue. He collaborates with numerous musicians, participating in diverse projects that explore different jazz aesthetics, from the most traditional to the most contemporary.


Style and Musical Approach

Yvon Bellemare's style is characterized by a rich and nuanced harmonic approach, a keen sense of melody, thoughtful, often introspective improvisation, and a masterful command of touch and dynamics.

His playing avoids excessive showmanship in favor of emotional depth. He places particular importance on space, silence, and musical breath, essential elements of his artistic expression.

 

Teaching and Transmission

Alongside his career as a musician, Yvon Bellemare has dedicated himself to teaching. He has guided numerous students in their piano and jazz studies, emphasizing listening skills, understanding musical language, and developing a personal artistic identity. As an educator, he is known for his patience, generosity, and ability to impart not only technical knowledge but also a musical philosophy grounded in curiosity, rigor, and artistic sincerity.

Yvon Bellemare at ''Belle et Bum'' 2015

Career

Contribution to Quebec Jazz
Yvon Bellemare holds a respected place in the Quebec jazz scene. His influence is evident in his collaborations, his performances, and above all, the legacy he leaves to the musicians he has trained and inspired. He embodies the figure of the musician-craftsman: committed, principled, and deeply attached to the human and artistic value of jazz.


Throughout his professional career, Yvon has shared the stage with many leading figures of the Quebec music scene, such as Nanette Workman, Richard Séguin, André Philippe Gagnon, Jean-Pierre Ferland, Ginette Reno, Kevin Parent, Bruno Pelletier, Lara Fabian, Grégory Charles, Elvis Lavoie, and others. Furthermore, he has served as artistic director for most of them.

Yvon Bellemare taught in the Music Department at Cégep de Trois-Rivières
from 1996 to 2020. He also taught several disciplines at the University of Sherbrooke's School of Music: piano, jazz ensembles, improvisation, accompaniment workshops, ear training, and jazz harmony.

From 2003 to 2019, Yvon Bellemare was the artistic director of the Téléthon Noël du Pauvre (Christmas for the Poor Telethon), the oldest telethon in North America. This annual event raises funds for charity, with the money distributed to those in need. The event is broadcast on Radio-Canada and has been available online since 2017. Yvon joined the team at a pivotal moment when the telethon tragically lost its pillar, Father Rolland Leclerc, who died in a fatal car accident. At the Téléthon Noël du Pauvre, Yvon prepared the artists' performances, writing the scores and orchestrating them himself for the musicians on his team. Yvon surrounded himself with solid and versatile musicians, including Sébastien Dufour, Jacques Livernoche, Roger Hubert, Jean-François Martel, and choir members Élyse Béchard and Pascal Caron.

​​

In 2015, Yvon continued his collaboration with Nanette Workman on the album ''L'album Noël'' and accompanied her on the television program ''Belle et Bum''. In 2017, Yvon Bellemare formed a jazz-pop trio with musicians David Bellemare, saxophonist, composer, arranger, and teacher at Cégep de Saint-Laurent. David was among the musicians who collaborated with Nanette Workman, along with guitarist Denis Croteau. The trio engaged in a true three-way improvisation during their performance at the Casino de Montréal cabaret.


Recently, the Université de Sherbrooke organized numerous jazz trio concerts featuring Yvon Bellemare on piano, David Gelfand on double bass, and Marc Bonneau on drums. David Gelfand has been Vic Vogel's double bassist since 1981 and has accompanied many jazz and pop stars. Marc Bonneau, for his part, graced the stages of the Montreal International Jazz Festival in the 90s and he was the artistic director of the singer Gino Vanelli.

For over four decades, Yvon Bellemare has played music with countless musicians, including guitarist Réjean Bouchard (notably on Luca Ghielmetti's album, Mamma Non Piangere), bassist Sylvain Martel, vibraphonist Luc Bernard, drummer Sylvain Jalbert, saxophonist André Chiasson, drummer Bernard Riche, bassist Jean-François Martel, and Pierre Messier. Yvon also accompanied poet and multi-talented artist Jean Laprise in many of his shows. He has performed countless concerts and shows, in addition to touring extensively in Quebec

and abroad (United States and France).

Discography

Richard Séguin - Trace et contraste

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"TRACE ET CONTRASTE" ALBUM (1980)
Alto saxophone, soprano saxophone, tenor saxophone, flute, percussion – André Chiasson
Arrangements, synthesizer, piano, electric piano [Fender Rhodes] – Yvon Bellemare
Graphic design – Michèle Cayer
Bass, double bass – Daniel Hubert
Drums, percussion, timpani, gong – Denis Farmer
Electric guitar, vocals, arrangements, tambourine, twelve-string guitar, production – Gilles (Bill) Beaudoin* (track: A3)
Guitar – Yves Cloutier (track: A4)
Lyrics – Alain Grooven (track: B2), Francine Hamelin (track: B3), Louky Bersianik (tracks: A1 to B1, B4), Richard Séguin (track: A1)
Music – Alain Grooven (track: B2), Christian Beaudoin (track: B4), Gilles Beaudoin (track: A3), Richard Séguin (tracks: A1 to B2, B3, B4), Yvon Bellemare (tracks: B1, B2)
Organ [Hammond] – Claude Lemay
Photography By – Michel Lachance
Interior Photography By – Francine Boisvert
Producer, recorded by – Michel Lachance
Recorded by – Frédérique Salter
Liner notes – Louky Bersianik, Richard Séguin
Vocals – Monique Fauteux, Pierre Bertrand
Vocals, acoustic guitar, twelve-string guitar – Richard Séguin

Michel Burton - Patricia / Shake it baby

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''Patricia / Shake it baby'' ALBUM (1981)

Genre: Funk / soul

Side A - Patricia
Side B – Shake It Baby

Arrangements: Michel Burton, Yvon Bellemarre*
Composition: Michel Burton

Nanette Workman - Changement d'adresse

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"CHANGEMENT D'ADRESSE" ALBUM (1990)
Author, Musical Director: Serge Fiori
Choir: Mary Lou Gauthier, Sass Jordan
Composition: N. Workman* (tracks 1-2, 7, 10), S. Fiori* (tracks 1, 4-5, 6-9), Y. Bellemare* (track 2)
Composition, Synthesizer, Keyboards: Serge Locat (tracks 1, 3)
Drums: Normand Bourdeau
Sound Engineer, Mixing: Rob Heaney
Graphic Design: Bernard Bourbonnais
Keyboards, Bass, Electric Guitar, Acoustic Guitar: Serge Fiori
Lyrics, Mixing, Production: S. Fiori*
Photography: Huno Photo
Saxophone: Nick Ayoub (track 3)
Synthesizer, Piano: Yvon Bellemare
Transfer: Bill Kipper
Vocals: Serge Fiori (tracks 3 and 4)
Vocals, backing vocals: Nanette Workman

Luca Ghielmetti – Dolci Spose Mancate D'Un Soffio (Spain)

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''Dolci Spose Mancate D'Un Soffio'' ALBUM (1999)

1 - Vita Mia (3:18)
2 - Per Amore Dei Toi Occhi Blu - Written-By Enrico Ruggeri, Luca Ghielmetti (3:59)
3 - Triste Canzone Della Corrida - Written-By Enrico Ruggeri, Luca Ghielmetti (3:58)
4 - A Volte A Venezia (3:41)
5 - Mamma Non Piangere - Piano: Yvon Bellemare (3:10)
6 - Dusaiga  (4:09)
7 - Madame (D'òu?) (3:58)
8 - La Mia Morosa (3:35)
9 - Gabbiano To Milano (3:35)
10 - Saint Malo  (4:40)

Nanette Workman - Just Gettin' Started

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''Just Gettin' Started'' ALBUM (2012)
1 - Just Gettin' Started (3:24)
2 - It's All Over Now (3:03)
3 – Hurt My Heart (3:53)
4 - Wild Horses (5:37)
5 - When Love Leaves The Room (4:37)
6 - What The Heck (3:39)
7 – Tell Somebody (3:45)
8 - Still Rainin' (4:44)
9 – Memphis Jane (4:30)
10 - Young Blood (3:11)
11 - Isn't That So (3:12)
12 - Man With A Heart (2:57)
13 - Georgia On My Mind
Arranged by – Roger Mann, Yvon Bellemare
Guitar – Roger Mann
Piano – Yvon Bellemare
Written by – H. Carmichael*, S. Gorrell*

Nanette Workman & Yvon Bellemare - Noël

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''Noël'' ALBUM (2015)​
1 – Silent Night (5:33)
2 - White Christmas (3:29)
3 - Santa Claus is coming to town (4:19)
4 - Blue Christmas (6:25)
5 - Christmas song (4:48)
6 - I'll be home for Christmas (3:42)
7 – Oh Holy Night (4:34)
8 - Have Yourself a Merry Christmas (4:47)
9 - So this is Christmas (3:39)

Arrangements: Nanette Workman and Yvon Bellemare
Voice: Nanette Workman
Piano - Yvon Bellemare

Legacy

Yvon Bellemare's work cannot be measured solely by his discography or public acclaim, but by the quality of his musical journey and the lasting impact of his artistic commitment. He remains an example of a musician for whom jazz is above all a living art, founded on exchange, listening, and emotion.


Yvon Bellemare's passion for Bill Evans is almost foundational to his career as a jazz pianist. For Bellemare, Evans is not just one influence among many: he is an aesthetic and emotional touchstone. He was fascinated early on by Evans's introspective lyricism, his sophisticated use of harmony (rich voicings, subtle tensions), and especially the dynamic of the Bill Evans Trio, where the piano, double bass, and drums engage in a dialogue of equals.

Bellemare particularly admires the way Bill Evans made the music “breathe”: a playing full of nuances, silences, and deliberate fragility—far removed from the demonstrative piano style. This admiration is concretely reflected in Bellemare’s style through a delicate and lyrical touch, a keen attention to the color of chords, and a taste for narrative improvisation that tells a story rather than simply piling up virtuoso flourishes. As a teacher (notably in Quebec), Bellemare has also passed on this passion by placing Bill Evans at the heart of his reflections on collective listening in trios, rhythmic sensitivity, and the expressive depth of modern jazz.


For Yvon Bellemare, Bill Evans represents an artistic compass, a model of musical sincerity, elegance, and emotion—values ​​that Bellemare has integrated into his own voice rather than imitating. Bill Evans' influence on Yvon Bellemare is profound, but above all, internalized—never a simple imitation.

Bill Evans' Influence
Bellemare adopts from Evans the use of extended voicings (9th, 11th, 13th), rootless chords, and rich yet fluid progressions, where tension serves the emotion. For Bellemare, harmony becomes an expressive tool, not a theoretical exercise—exactly in the spirit of Evans. We find Evans' legacy in a muted, highly controlled touch, an extreme attention to dynamic nuances, and a playing style that is often introspective, almost meditative. Bellemare favors the lyrical line, allowing space and silence to play a musical role. Like Bill Evans, Bellemare improvises by thinking in long, coherent phrases with thematic development, rather than by piling up bebop licks. Improvisation becomes an emotional discourse, not a demonstration.

Bellemare embraced this approach where the pianist doesn't impose, but engages in dialogue. As a teacher, Bellemare extensively passed on Evans' legacy through the analysis of standards in the Evans style, the work on touch and breath control, the importance of collective listening, the trio as an egalitarian conversation, and flexible rhythmic freedom (elastic time).

In short, Bill Evans gave Yvon Bellemare a harmonic language, a musical ethic based on sincerity, and a way of making jazz an art of sensitivity. Yvon Bellemare then
transformed this influence into a personal voice.

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Copyright © M MEDIA JAZZ 2025 - All rights reserved.

Copyright © M MEDIA JAZZ 2025 - All rights reserved.


Last updated - december 21st, 2025.

 

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